It was 2012, and I was about to walk out on stage in the Mill Theatre in Dundrum for perform Neil+1 for the very first time. Nerves, anxiety, regret, excitement were colliding in my mind like a child trying to
10 Years of “Neil+1”

It was 2012, and I was about to walk out on stage in the Mill Theatre in Dundrum for perform Neil+1 for the very first time. Nerves, anxiety, regret, excitement were colliding in my mind like a child trying to
I had nearly forgotten, it’s been 10 years. Damn pandemic messed with our concept of time. But here I am, 10 years on looking back on what performing an improvised show with a stranger has taught me about Improv and
Like many improvisers during the pandemic, a huge void made by lockdowns and restrictions needed to be filled. But I’m not talking about the creative void, arguably a creative void is easy to fill. Instead, other voids emerged, some consciously
All the World’s a stage And all the men and women merely players. They have their exits and their entrances, And one man in his time plays many parts.
We have all been there; an out of town troupe is performing in your local theatre or you’re visiting an improv theatre in another city, and a group takes the stage that resets your improv excitement barometer causing you to
“How is everyone with kissing?” I love teaching Emotion in improv. It’s one of my favourite topics. It’s interesting when teaching it internationally how different cultures approach the topic and where comfort levels are with expressing that with others on
AS 2016 draws to a close and we reflect on the turbulent year it has been on the political and celebrity bereavement front, the world of improv has been plowing away both in the limelight and behind the scenes around